This essay analyzes Caribbean Creolophone women’s speech, para-linguistic sounds, and songs as an underappreciated form of women’s self-fashioning. Afro-Creole women’s speech developed as a tradition within conditions of fugitivity (Derby 2014; Moten 2008). Fugitive speech here refers to speech and vocalized sounds, meant to be understood only by those in a position to know its meanings, under repressive conditions. Caribbean women use vocal expressions to constitute themselves into collectivities that sustain and support them.